![]() ![]() Instead, they volunteered to meet at the Fossemalle Dance Studio to learn, practice, and master dances choreographed in tribute to a legend they never met, but greatly admired.Ĩ: The number of hours the girls practiced in the Opera House last Friday, Feb. When she decided to stage a tribute to Becket, she wanted to bring that joy to life again on the Opera House stage.Ģ0: Approximately the number of Friday nights on which a small group of high-school-age dance students didn’t go out with their friends or spend time on social media. The two women, who bonded over a passionate commitment to a creative life, talked about art, music, dance, and even the ordinary events of their days.ĭuring these conversations, Fossemalle said, she learned what brought her friend joy. Today he is one of the few who remember the transformation of the walls and ceiling into the extraordinary murals painted by Becket between 19.Ģ5: The number of years that Christine Fossemalle, of the Fossemalle Dance Studio in Santa Ynez, California, enjoyed a warm friendship with Marta Becket. Her decision to stake her claim in the nearly empty desert stunned her friends and the few inhabitants of the Junction at the time, but Becket knew exactly where to draw her creative line in the sand and she danced on it for nearly half a century.įifty-one is also the number of years Douglass Pushard, an honored guest at Saturday’s performance, has been attending the shows in this auditorium. Last Saturday’s anniversary tribute to legendary dancer Marta Becket at the Amargosa Opera House in Death Valley Junction can perhaps best be summed up by the numbers.ĥ1: The number of years since Marta Becket debuted her first show at the Amargosa Opera House on Feb 10, 1968. Robin Flinchum/Special to the Pahrump Valley TimesĪll of the dancers on stage with Fossemalle, center, Corona to the left, not in costume and Miller to the right, not in costume. ![]()
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